Deck of Cards
Deck of Cards is a series of magical sigils rendered as intimate, symbolic objects.
Drawn on thick, fibrous paper and executed with fine-tip paint markers, each card possesses a strong material presence. Handwritten texts appear on the reverse and are presented as titles in the gallery. The imagery is rooted in natural scenes and cyclical processes, including Bloodcycles, in which Jacqueline uses her own blood as ink, deepening the physical and ritual dimension of the work.
There and Then You Saw Yourself, 2020. Paint markers on paper
Black Tears Hatch White Eggs, 2020. Paint markers on paper
Untitled 1, 2020. Paint markers on paper
What's Your Backside?, 2020. Paint markers on paper
What a Beautiful Time, 2020. Paint markers on paper
I Love You, 2020. Paint markers on paper
The Portal Is Love, 2020. Paint markers on paper
Contact Them, 2020. Paint markers on paper
Untitled 2, 2020. Paint markers on paper
When Are the Aspen Leaves Still?, 2020. Paint markers on paper
Untitled 3, 2020. Paint markers on paper
Untitled 4, 2020. Paint markers on paper
Don't Read This, Sing It, 2020. Paint markers on paper
What You Seek, Seeks You Too, 2020. Paint markers on paper
Midsommer, 2020. Paint markers on paper
Reef Grows From Earth, Through Water, Into Air and Flowers with Fire, 2020. Paint markers on paper
Whatever Happens I Am There, 2020. Paint markers on paper
I Feel That You See Me, 2020. Paint markers on paper
We Are This God, 2020. Paint markers on paper
The Book Burning, 2020. Paint markers on paper
All That I Was, I Now Pass Onto You, 2020. Paint markers on paper
The Art is to Live Life, 2020. Paint markers on paper
Bloodcycle, 2020. Paint markers and blood on paper
Seize Your Gift, 2020. Paint markers on paper
Referencing the organic abstraction of Hilma af Klint and drawing on Nordic symbols and mythic motifs, the series operates as a symbolic system. Part ritual object and part visual language, the cards explore themes of transformation, embodiment, and cyclical time, inviting the viewer to engage with the works as both images and instruments of meaning.